
Country/Folk
Jeffrey Martin Tickets
Concerts6 results
Concerts in United Kingdom
- 1 February 2026Until 01/02/2026GlasgowTron TheatreJeffrey Martin & SupportOn partner site
Venue
- 24 January 2026Until 24/01/2026Yorkrise @ BluebirdJeffrey MartinOn partner site
Venue
International Concerts
- 13 November 2025Thursday 20:00Seattle, WA, United States Of AmericaTractorJeffrey Martin w/ Anna Tivel (partially seated)On partner site
Lineup
Venue
- 7 December 2025Sunday 19:00Brooklyn, NY, United States Of AmericaBaby's All RightJeffrey Martin, Anna Tivel (21+)
Lineup
- Jeffrey Martin
- Anna Tivel
Venue
Baby's All Right
- 29 January 2026Thursday 20:00Dublin, IrelandWhelansJeffrey Martin
Venue
- 6 March 2026Until 09/03/2026Port Fairy, VIC, AustraliaSouthcombe ParkPort Fairy Folk Festival 2026On partner site
Lineup
- Port Fairy Folk Festival
- Elephant Sessions
- Iron & Wine
- Pierce Brothers
- Emma Donovan
- Blair Dunlop
- Mary Coughlan
- Northern Resonance
- Beoga
- Steve Poltz
- Nico Paulo
- Mia Kelly
- Svavar Knutur
- Akervinda
- Felicity Urquhart & Josh Cunningham
- Grainne Hunt
- Windborne
- Chloe Foy
- Willie Watson
- Lloyd Spiegel
- Rainbow Girls
- Robbie Cavanagh
- Kasey Chambers
- Dan Webster
- Jeffrey Martin
- Darren Hanlon
Venue
About
On a small corner lot in southeast Portland, Oregon, Jeffrey Martin holed up through the winter recording his quietly potent new album 'Thank God We Left The Garden'. Long nights bled into mornings in the tiny shack he built in the backyard, eight feet by ten feet. What began as demos meant for a later visit to a proper studio became the album itself, spare and intimate and true. Recorded live and alone around two microphones, Jeffrey often held his breath to wait for the low diesel hum of a truck to pass one block over on the busy thoroughfare. During the coldest nights, he timed recording between the clicks of the oil coil heater cycling on and off.
He produced and engineered it himself, recalling, "There was a magic quality to the sounds I was getting in the shack with these two cheap microphones, some lucky recipe of time and place that allowed my voice and the way I play guitar and the shape of these new songs to come together with the kind of honesty I was craving."
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