No more results on this page
In the world of streaming, Toto’s repertoire is played more than three million times daily on Spotify alone by an audience that continues to get younger month to month. Over the course of July, 52% of all streams were from those 34 years or younger. There is a level of discovery on a global basis that continues to significantly grow year after year. Cumulative streaming at Spotify now exceeds 4 billion plays, with cumulative plays across all platforms approaching 6 billion plays.
The band has unequivocally had a major renaissance in popularity like few artists at this point in their career. Individually and collectively, the band’s family tree can be heard on an astonishing 5000 albums that together amass a sales history of a half a billion albums. Amongst these recordings, NARAS applauded the performances with hundreds of Grammy nominations.
The Serengeti, a UNICEF advert, a synth sound sent from the Gods, Adam Sandler, and the story of Toto’s omnipresent prog-pop anthem
Great night, very talented bunch of musicians. Could do without the long guitar solos in the middle of songs but otherwise very entertaining. More energy and good vocals compared with some bands from the same era.
The performance by Christopher Cross was ruined for me by the terrible sound, there was even echoing when he spoke. This has happened before at the OVO. Toto put on a great show and engaged with the audience. Really great musical talents!
