About The Royal Philharmonic Orchestra
For more than seven decades the Royal Philharmonic Orchestra (RPO) has been at the forefront of music-making in the UK. Its home base since 2004 at London’s Cadogan Hall serves as a springboard for seven principal residencies as well as more than forty-five concerts per year in long-term partnership venues across the country, often in areas where access to live orchestral music is very limited. With a wider reach than any other UK large ensemble, the RPO has truly become Britain’s national orchestra.
Throughout the regional programme, plus regular performances at Cadogan Hall, Southbank Centre’s Royal Festival Hall and a hugely popular series at the Royal Albert Hall, and international touring engagements, the RPO remains committed to working with the finest conductors. In July 2018, the RPO announced Vasily Petrenko as the Orchestra’s new Music Director, assuming the title of Music Director Designate in August 2020 prior to commencing the full role in August 2021. He joins the RPO’s roster of titled conductors, which includes Pinchas Zukerman (Principal Guest Conductor), Alexander Shelley (Principal Associate Conductor) and Grzegorz Nowak (Permanent Associate Conductor).
In 2018, RPO Resound, the Orchestra’s community and education programme, celebrated its twenty-fifth anniversary. Throughout its history it has thrived on taking music into the heart of the regions that the Orchestra serves, working with a variety of participants in a range of settings including working with young people, the homeless and recovering stroke patients.
Although the RPO embraces twenty-first-century opportunities, including appearances with pop stars and on video game, film and television soundtracks, its artistic priority remains paramount: the making of great music at the highest level for the widest possible audience. As the RPO proudly looks to its future, its versatility and high standards mark it out as one of today’s most open-minded, forward-thinking symphony orchestras.
Last updated: Apr, 2019